Steampunk Irene Adler

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So Irene. Irene was a bit of a hang-er on, but I like couples’ costumes. So with steampunk Sherlock Holmes on the docket, what else was I supposed to do?

(I did actually end up thinking of a fun little narrative that blended real life and our personas: Irene’s supposedly given up her wicked ways and turned tailor to Sherlock. Of course it’s all just a ploy to get close enough to slip him something nefarious. *turn to look at him* “You didn’t hear that dear, just go on and investigate that odd thing over there.” Etc.)

Most of the outfit was already made. The skirt was actually the second version of that set I had made, since I sewed (except for the hem) a shiny brown version for my friend’s wedding outfit (which she combined with a lacy white shirt and beige corset to look amazing). Here’s the best part: it’s a mash up: bolero skirt (without loopy trim) from McCall’s 7071 and train from McCall’s 6097. My skirt was a dull green covered in black velvety flowers with a dark green velvet waistband (from the stash!), and my train was a darker shinier green (which I may have purchased). The only thing I actually had to do for the ren fair was add buttons to attach the train to the skirt. So…repeat semi-freehand note from Sherlock’s vest.

The top I’ve had for a long time; it was a hand-me-down from my mom. I searched antique shops for a cheap cameo for a long time, and the result has been hanging from the top button hole for quite a while as well.

I could’ve just used the good black leather boots I’ve owned since high school, but I ran into a pair at the thrift store with silver buttons on the side just before the ren fair and couldn’t resist. This. Was. A. Giant. Mistake. They were way too big and I had enormous blisters starting on the balls of my feet before we even got into the ren fair because we parked at the back of beyond. I thought about buying shoes from a vendor, but they were ridiculously expensive. So I begged a wad of napkins off a pickle vendor and stuffed them into my shoes. It helped enough that we could move around a little, and kept the blisters from getting worse. But I’ll be cleaning the mud off those shoes and sending them back to the thrift store. Lesson: always, always walk around in your shoes. *sigh*

How how else did I dress it up? I bought half a yard of cheap black velour and built a steampunk hat and fingerless gloves (McCall’s 6975 again) and a cummerbund or waist corset (patternless!). The hat turned out to be good practice for Sherlock, and the gloves…I had to think hard about those gloves – which side was up, which hand was which. I ended up pulling some shiny black fabric from my stash to line the thumb and wrist, and to make a flat version of what was supposed to be a crinkled connector to pin the palm side shut. And I did all three in an afternoon! The amazing thing about the hat is once I pinned it on top of my head, I completely forgot it was there.

We also borrowed a parasol from the theatre props in our basement, but didn’t end up using it. I think eventually I might like to build her a matching one with a more period-appropriate profile. And I’ll admit I saw a poison ring at the same antique shop where we picked up Sherlock’s stick pin that was quite tempting.

I keep wanting to transition from costumes to historical clothing, though, and having the costume contest judge say it was only “kind of” 1890s really drove that home. I read on a historical clothing blog that the important thing is starting with the right undergarments to build the silhouette. I can improve this costume while setting the stage for future outfits simultaneously. I’ve got a pattern for chemise, drawers, and corset already, and clearly it also needs couple of petticoats and possibly a bustle. So we’ll see where that gets it.

Steampunk Sherlock Holmes

Basically the minute I knew that the very first ren fair Jeff and I were going to was going to be having “Wonders of the World” weekend (Steampunk, Doctor Who), I realized that I needed some kind of character hook for our steampunk-y outfits. And what better than to do a steampunk Sherlock Holmes? (I’ll cover the accessories I made to augment my previously built 1890s/1900s outfit into a steampunk Irene Adler in the next post – which now exists: click here!)

At about the same time, I found myself helping build four identical wedding dresses for the final scene of Much Ado About Nothing. The experience was intensely motivating since I hadn’t done a sewing project in a while, and it reminded me of my skills and stamina. I also garnered some rather useful thoughts about fitting clothes on other people – which was much appreciated because I’d really only sewn for myself, one other skirt aside! I also took the opportunity to commandeer the theatre’s fabric cutting table on a couple of occasions, which helped me bypass the perpetual “help” offered by the cat when I work on the floor at home.

I started with a very comprehensive list for each part of the outfit and its accessories. I’ll talk about the materials and construction (if applicable) for each of them in their own section below. But first, a shout out to my sister for coming fabric (er, mostly button) shopping with me – I hope you’re enjoying your adult coloring book reward!

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– Deerstalker Cap: thick brown/orange/beige plaid wool which I purchased specifically for the outer layer, yellow/orange liner from my stash for the inner layer and the ribbons, brown thread from my stash, and a couple of bits of cardboard from a granola bar box. I have to say I was really proud of this piece – I am a habitual pattern user, and I made it without a pattern! I looked at some reference photos, and determined that I needed to cut ten identical rectangles of the fancy fabric, then round them off on the short side for the six sections of the actual hat and the two double sided ear flaps, plus two more longer, thinner ones rounded on the long side for the front and back brims. (And liner for everything except the double sided ear flaps, of course!) I measured the circumference of Jeff’s head, did some division, added seams allowances, and voila! I actually made this piece close to last, so I was getting used to working from the inside out, turning the liner to the inside, and then hand finishing. The only catch with this one was that the liner didn’t sew in evenly, so I had to piece in an extra section to match the circumference of the outer layer. Overall, a successful piece! It really helped the whole outfit be readily recognizable as a specific character.

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– Vest: wild steampunk-y print from my stash for the main body of the vest, orange velvet from my stash for the collar, six amazing “knit” buttons my sister picked out at Field’s Fabric, Simplicity Pattern 2895 from my stash, and brown thread from my stash. This was my first try at independently fitting a garment to someone else, and it worked moderately well. I cheated and didn’t include a liner, since we’re expecting to have to take it in a bit in the future, which made the piece a bit floppier than preferred. I’m also not entirely comfortable with the buttonhole foot on my sewing machine, so I put it on buttonhole settings but controlled the spacing myself, with mixed results. But! I made my first pocket, and it’s perfect for holding prop #1:

– Pocket watch: a little gold number we already own. We found out to our surprise at the ren fair that it actually works!

– Cravat: more of the yellow/orange liner I used for the cap, again using Simplicity Pattern 2895. I took some shortcuts on the folds since it was more of a last minute addition, but it eventually became home to accessory #1:

– Stick pin: we didn’t find this until we visited an antique shop after the ren fair, but we now have a gold stick pin with a color-coordinated orange stone. Under it all, of course, there’s a foundational garment:

– White dress shirt: a quick thrift store find. The collar isn’t quite right with the rest of what’s going on, so we’ll be upgrading eventually to a frill-less version of Simplicity 4095 (since it’s already in my stash). Most of the bottom of the costume is similarly basic:

– Brown pants: a more effortful thrift store find. Why are clothes that are ostensibly the same size always widely variable in their fit?!

– Brown shoes: Jeff’s every day pair of slip ons (no laces, no nothing – nice and smooth) which we expected to be a perfect base for:

– Spats: some really neat black flower outlines on brown pleather I found at Field’s, plus brown thread from my stash and McCall’s 6975 from my stash. I was really excited to find some random stick-on velcro dots in my stash to secure them. Sadly they didn’t sit quite right and we had to leave this piece out! However, moving back up to the waist, I also made:

– Cargo belt: more of the pleather from Field’s, brown thread from the stash, a pair of steampunk cuff links we already owned, and McCall’s 6975 from the stash. I reduced the width of the top layer, and I think I had to add more pleather backing on the straps than the pattern actually called for. I also had to run out and buy four D rings since I hadn’t realized I’d need them. One of the pockets took two tries to sew it into the right shape. I stuffed the pockets with tissues and sealed them shut with the cufflinks – not a functional prop holder, there. We also didn’t end up using props #2 and #3:

– Pipe: we bought a cheap costume pipe from a local costume shop. The bowl was white (maybe they thought it looked like ivory?) so I painted it to look like wood (thanks, theatrical set painting practice) with the green, orange, and white left in my acrylic paint set (thanks, painting party at Bamboo studio). We need to make it possible to hang it from the belt.

– Magnifying glass: we’ve had this magnifying glass around for a while, and I got out my gold enamel paint to change the silver rim to gold. This beauty’ll need to hang from the belt for future uses, too. And the last item we didn’t use was:

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– Great coat: thrifted brown curtain(!) that I was honestly hoping to use later for Littlefinger, more brown thread from the stash, and a couple of amazing bronze gear buttons my sister found at Field’s. Plus of course once again Simplicity 2895. I thought I had a great cheat since the curtain was lined, but I cut and sewed the coat and liner simultaneously leaving the seams on the inside, and this white stuff frayed like crazy. I turned in as many of the seams as possible, but I’m probably going to have to re-line it with more of the yellow/orange from the stash, if there’s enough. I had the same issue with the pockets as on the vest. I skipped the second set of pockets on the top half – I love that the main pockets are right on the line between the … can I call it a bodice? … and the “skirt”. (Tails?) Anyway. I made sure to do fittings with all the other layers underneath, so we didn’t end up making it too snug. It looks pretty good on, but hides all the rest of the fun colors, so we’re probably also going to have to find a way to tie it back or leave it open in cooler weather. Maybe move the buttons to the cuffs…

I ended up making very bad shoe choices myself (again, more on that later), so we didn’t wander much at all that first day. Which meant we were right in the appropriate place for the end of the day’s costume contest. Which we won. As a couple. Which they weren’t planning on (but then so did the awesome Victorian Harley and Joker pair). And really we won because “Sherlock” bantered with the judge (as did Harley, for that matter). But who’s counting?